Manufacturers

Guitar Pedals from EBS

Welcome to your ultimate guide to EBS's guitar pedals. This catalog serves as your starting point to explore and compare all pedals crafted by EBS. Designed for easy navigation, we hope you can quickly find detailed information on each pedal, including specifications, user reviews, and demo videos. Whether you're searching for the latest releases, seeking to expand your pedal collection, or exploring options for a specific sound, hopefully Stompbx can assist you in finding exactly what you need.

Bass Effects

DynaVerb

The EBS DynaVerb Studio Edition is a stereo reverb pedal with studio-quality sound, suitable for bass, guitar, keyboards, and vocals. It offers eight different true stereo digital reverb effects, including rooms, plates, and halls, all in a compact pedal. The pedal uses 24-bit digital processing circuitry for outstanding and noiseless performance on stage and in the recording studio. It features stereo input and stereo output, and three different modes or types of reverb: Room, Plate, and Hall. The pedal can run in parallel mode if preferred in the studio. The DynaVerb Studio Edition was first introduced in 2002 and has undergone several improvements over the years, including higher headroom, new analog circuitry with higher dynamics and lower noise, and true bypass switching technique. It is recommended to use the pedal with a 9V DC power adaptor, such as the EBS AD-9+, with battery use considered only as a backup solution. The EBS DynaVerb Limited Spring Edition simulates natural reverberation in different acoustical spaces, from big concert halls to smaller rooms, as well as classic reverb effects such as reversed, gated, and spring-type reverb. This stereo reverb pedal is designed for professional use and offers three new reverb effects of Reversed, Gated, and Spring-type, as well as three Hall and three Room reverbs. It is suitable for bass players looking to expand their sound options, and it can enhance any instrument from guitar to keyboard and vocals with its studio-quality sound. The pedal features 24-bit digital processing circuitry, an internal switch for parallel mode, and is recommended to be used with a 9V DC power adaptor, such as the EBS AD-9 Pro, with battery use considered only as a backup solution.

MultiDrive

The EBS MultiDrive is an ultra-compact and robust overdrive pedal designed for bass instruments. It is capable of producing sustain, overdrive, and various tube amp distortion sounds. The pedal features a Class A overdrive engine with a wide gain range, emulating a classic vintage style preamp tube. The MultiDrive offers three modes: Standard, Flat, and Tubesim, allowing users to select different overdrive sounds. The Tubesim mode activates a second tube simulator, adding extra harmonics with compression and slightly less high-end attack. Key Technical Specifications: \- Nominal Input Level: -8 dBv (active) or -20 dBv (passive) \- Input Impedance: 700 kohms \- Dry Bandwidth: +0/-3 dB 20 - 20k Hz \- Effect Bandwidth: +0/-3 dB 35 - 12k Hz \- Drive Gain Range: 0 - 60 dB min \- Dimensions: Width 70 mm (2.8”), Height 115 mm (4.5”), Depth 35 mm (1.4”) \- Weight: 400g (0.88 lb. ) \- Power Requirements: 9 - 12 V DC Regulated, 30 mA max. Protected against accidental overvoltage up to 18 V The pedal is designed for both live and studio use, offering a durable construction and true bypass switching. It can be powered by a DC power adaptor or a 9V battery. The MultiDrive is suitable for enhancing bass sound and is recommended for use in an effects loop for post-filter enhancement.

BassIQ

The EBS BassIQ 'Blue Label' is an analog envelope filter pedal designed for bass and guitar. It offers enhanced versatility and responsiveness, producing a range of sounds from classic auto-wah effects to spaced-out "Funkadelic" and synth-bass sounds. The pedal features Q, Threshold, and Attack controls to set the sensitivity and create a variety of sounds. It offers Up, Up-R, and Down modes to achieve different effects, along with three types of pass filters: Full Range, Band Pass, and Low Pass. Internal controls allow for fine-tuning, and the pedal also features true bypass. Technical Specifications: \- Nominal Input Level: -10 dBv \- Input Impedance: 1.8 Mohms \- Output Impedance: 100 ohms \- Dry Bandwidth +0/-2 dB: 20 - 20k Hz \- Filter Range: 100 - 2.5k Hz \- Filter Q: 0.7 - 15 \- Threshold: -50 - +6 dBv \- Attack Time (80%): 50 ms - 2 s \- Dimensions: 2.6” x 4.5” x 1.9” (67 x 115 x 48 mm) \- Weight: 315g (0.7 lb. ) \- Type: Analog Effect, Relay type Switching \- Power Requirements: 9, 12, or 18 V DC, 55 mA max. Pedal shuts off below 6.0 V

Stanley Clarke Signature Preamp

The Stanley Clarke Signature Acoustic Preamp by EBS is a 2-channel preamp designed for professional-grade signal levels, making it suitable for use with any power amp. It features 10 Mohm Impedance inputs for both channels, individual High Pass/Notch Filters for each channel, and an XLR microphone- input with 48V Phantom Power for channel B. The preamp also supports Electret pickups on channel A and allows for blending two different sound input sources. It includes an Effects Loop for additional effects, a Tuner Out, a Balanced XLR-Output, an Aux Input, and a professional-grade Headphones output. The preamp is designed to handle the complex sonic characteristics of an upright bass and can also be used with other acoustic or electric instruments. Key Specifications: \- Input Impedance: 10 Mohms // 22 pF \- Gain Range: -oo/+30 dB \- Frequency Response: +0/-3 dB 20-20,000 Hz \- Bass Filter: Type Shelving, Gain Range +/- 15 dB @ 40 Hz \- Mid Filter: Type Bandpass Filter, Gain Range +/- 13 dB, Frequency Range 70 - 2500 Hz, Q 0.8 \- Treble Filter: Type Shelving, Gain Range +/- 15 dB @ 10 kHz \- HP Filter: Type 12 dB/octave High Pass, Frequency Range 20(off) - 450 Hz \- Notch Filter: Type Bandpass Notch, Frequency Range 70 - 2200 Hz, Q 7, Attenuation 7 dB (typically) \- Effects Loop: Loop Signal Level -10 dBv (nominal), Gain Unity (1:1), Output Impedance 2 kohms, Input Impedance 100 kohms, Modes Serial or Parallel \- Phones Out: Recommended Imp. 32 - 200 ohms \- Auxiliary Info: Power Requirements Idle 500mA @9V, max 800mA @9V (with headphones at max output level) \- Dimensions: 168 x 124 x 53 mm / 6.6" x 4.9" x 2.1" \- Weight: 660 g (1.5 lbs.) The preamp has received positive reviews from professional musicians and is highly recommended for acoustic bass players. It is praised for its versatility, studio-grade signal quality, and essential features for handling acoustic instruments.

Billy Sheehan Signature Drive

The EBS Billy Sheehan Signature Drive is a bass overdrive pedal with dual loops, offering a range of features and technical specifications: \- Pedal Type: Bass Overdrive with Dual Loops \- Analog/Digital: Analog \- Inputs: 1 x 1/4" (instrument) \- Outputs: 1 x 1/4" \- Other I/O: 1 x 1/4" TRS (clean loop, drive loop) \- Controls: Drive, Tone, Level, Clean \- Compressor Modes: High, Mid, Off \- Clean Loop and Drive Loop for inserting external effects \- Nominal Input Level: -8 dBv \- Input Impedance: 700 kohms \- Gain Range (Drive): 20 - 40 dB \- Tone Filter Range: 175 - 4500 Hz \- Output Impedance (Loops): 2 kohms \- Mix Level (Drive Channel): +3 dB max \- Mix Level (Clean Channel): +6 dB max \- Compressor Ratio: 5:1 (max) \- Threshold: -25 +6 dB \- Attack Time: < 10 ms \- Release Time: 100 ms typ \- Makeup gain: 0, +3, +6 dB \- Output Impedance: < 100 ohms \- Dimensions: 3.5" x 4.5" x 1.4" (90 x 115 x 35 mm) \- Weight: 480g (1.07 lb. ) \- Power Requirements: 9 - 12 V DC Regulated, 15 mA max* Additionally, the pedal features advanced options accessible by removing the bottom plate, allowing fine-tuning trimmers to adjust the threshold level of the compressor and the level of compression when the mode switch is set to MID (COMP). The EBS Billy Sheehan Signature Drive offers bass players the ability to blend a clean signal with distortion, preserve low frequencies, and achieve a balance between distortion and definition.

UniChorus

The EBS UniChorus Studio Edition is an analog chorus/flanger effect pedal designed to deliver studio-quality sound. It is suitable for use with bass, keyboard, and guitar. The pedal is built with the best analog processing circuitry available, providing a smoother, warmer, and fatter sounding chorus/flange effect, useful for both live and studio performances. The pedal output can run in mono or stereo. Key features and specifications include: \- Analog processing circuitry \- Mix level control for blending the effect with the original tone \- 3-in-1 modulation pedal for chorus, flange, and pitch modulation effects \- 3 dB higher headroom and higher sensitivity \- New analog circuitry with higher dynamics and lower noise \- True bypass switching technique \- Optimized signal path and new design \- Signal relay switching technique \- Protection against overvoltage up to 18V \- Power range of 9-12V DC The UniChorus is not limited to bass players and is suitable for use with keyboards as well. Additionally, it is now also compatible with guitars.

The Drive

The Drive by EBS is an analog boost/overdrive pedal with controls for Drive, Tone, and Volume. It features a brand new compact housing design with recessed jacks to reduce space on your pedalboard. The pedal runs on 9V DC and is part of the new 'Blue Label' series of EBS effects. The technical specifications include: \- Manufacturer: EBS \- Series: Blue Label \- Made In: China \- FX: Overdrive \- Type: Pedal \- Jacks mounted on: Sides \- Bypass: True Bypass \- Battery: Yes \- Voltage: 9V \- Polarity: Center Negative \- Circuit: Analog \- Weight: 0.30 kg \- Width: 6.1 cm \- Height: 4.5 cm \- Depth: 11 cm The Drive is designed to be a versatile and easy-to-use pedal that can be used with both bass and guitar, providing a range of overdrive and boost options to enhance your tone.

Chorus and Vibrato

Red Twister

The EBS Red Twister is an analog guitar effects pedal with flanger, pitch modulation, and chorus modes. It offers a smooth, warm, and fat sounding effect suitable for both live and studio performances. The pedal is designed with the best analog processing circuitry available, providing a thick and warm sound. It features a mix level control that allows users to blend the effect with the original tone according to their preference. The pedal output can run in mono or stereo, offering flexibility in usage. The Red Twister is part of EBS's Red Label Pedals for guitar, designed with input from session guitarists and pedal specialists for optimal performance with guitars. It was released on October 1, 2015.

UniChorus

The EBS UniChorus Studio Edition is an analog chorus/flanger effect pedal designed to deliver studio-quality sound. It is suitable for use with bass, keyboard, and guitar. The pedal is built with the best analog processing circuitry available, providing a smoother, warmer, and fatter sounding chorus/flange effect, useful for both live and studio performances. The pedal output can run in mono or stereo. Key features and specifications include: \- Analog processing circuitry \- Mix level control for blending the effect with the original tone \- 3-in-1 modulation pedal for chorus, flange, and pitch modulation effects \- 3 dB higher headroom and higher sensitivity \- New analog circuitry with higher dynamics and lower noise \- True bypass switching technique \- Optimized signal path and new design \- Signal relay switching technique \- Protection against overvoltage up to 18V \- Power range of 9-12V DC The UniChorus is not limited to bass players and is suitable for use with keyboards as well. Additionally, it is now also compatible with guitars.

Compression/Sustain

Distortion

MetalDrive

The EBS MetalDrive Studio Edition is a high-gain distortion pedal designed for modern metal music and other styles requiring a mean distorted sound. It is suitable for use with both bass and guitar, including drop-tuned guitars, 7-, and 8-string guitars without choking. The pedal features a MOD selector for a variety of distortion sounds and is equipped with true bypass. The technical specifications include: \- Nominal Input Level: -8 dBv \- Input Impedance: 700 kohms \- Dry Bandwidth: +0/-3 dB, 20 - 20k Hz \- Effect Bandwidth: +0/-3 dB, 60 - 7k Hz \- Dist Gain Range: 6 - 70 dB min \- Modes: Standard, Flat, or Tubesim \- Dimensions: Width 70 mm (2.8”), Height 115 mm (4.5”), Depth 35 mm (1.4”) \- Weight: 400g (0.88 lb. ) \- Power Requirements: 9 - 12 V DC Regulated, 25 mA max. Protected against accidental overvoltage up to 18 V The pedal does not come equipped with a tube and weighs 0.40 kg. It also features a special MOD selector for a variety of distortion sounds.

The Drive

The Drive by EBS is an analog boost/overdrive pedal with controls for Drive, Tone, and Volume. It features a brand new compact housing design with recessed jacks to reduce space on your pedalboard. The pedal runs on 9V DC and is part of the new 'Blue Label' series of EBS effects. The technical specifications include: \- Manufacturer: EBS \- Series: Blue Label \- Made In: China \- FX: Overdrive \- Type: Pedal \- Jacks mounted on: Sides \- Bypass: True Bypass \- Battery: Yes \- Voltage: 9V \- Polarity: Center Negative \- Circuit: Analog \- Weight: 0.30 kg \- Width: 6.1 cm \- Height: 4.5 cm \- Depth: 11 cm The Drive is designed to be a versatile and easy-to-use pedal that can be used with both bass and guitar, providing a range of overdrive and boost options to enhance your tone.

Flangers

Red Twister

The EBS Red Twister is an analog guitar effects pedal with flanger, pitch modulation, and chorus modes. It offers a smooth, warm, and fat sounding effect suitable for both live and studio performances. The pedal is designed with the best analog processing circuitry available, providing a thick and warm sound. It features a mix level control that allows users to blend the effect with the original tone according to their preference. The pedal output can run in mono or stereo, offering flexibility in usage. The Red Twister is part of EBS's Red Label Pedals for guitar, designed with input from session guitarists and pedal specialists for optimal performance with guitars. It was released on October 1, 2015.

UniChorus

The EBS UniChorus Studio Edition is an analog chorus/flanger effect pedal designed to deliver studio-quality sound. It is suitable for use with bass, keyboard, and guitar. The pedal is built with the best analog processing circuitry available, providing a smoother, warmer, and fatter sounding chorus/flange effect, useful for both live and studio performances. The pedal output can run in mono or stereo. Key features and specifications include: \- Analog processing circuitry \- Mix level control for blending the effect with the original tone \- 3-in-1 modulation pedal for chorus, flange, and pitch modulation effects \- 3 dB higher headroom and higher sensitivity \- New analog circuitry with higher dynamics and lower noise \- True bypass switching technique \- Optimized signal path and new design \- Signal relay switching technique \- Protection against overvoltage up to 18V \- Power range of 9-12V DC The UniChorus is not limited to bass players and is suitable for use with keyboards as well. Additionally, it is now also compatible with guitars.

Fuzz

Octave/Pitch Shifters

Overdrive and Boost

MultiDrive

The EBS MultiDrive is an ultra-compact and robust overdrive pedal designed for bass instruments. It is capable of producing sustain, overdrive, and various tube amp distortion sounds. The pedal features a Class A overdrive engine with a wide gain range, emulating a classic vintage style preamp tube. The MultiDrive offers three modes: Standard, Flat, and Tubesim, allowing users to select different overdrive sounds. The Tubesim mode activates a second tube simulator, adding extra harmonics with compression and slightly less high-end attack. Key Technical Specifications: \- Nominal Input Level: -8 dBv (active) or -20 dBv (passive) \- Input Impedance: 700 kohms \- Dry Bandwidth: +0/-3 dB 20 - 20k Hz \- Effect Bandwidth: +0/-3 dB 35 - 12k Hz \- Drive Gain Range: 0 - 60 dB min \- Dimensions: Width 70 mm (2.8”), Height 115 mm (4.5”), Depth 35 mm (1.4”) \- Weight: 400g (0.88 lb. ) \- Power Requirements: 9 - 12 V DC Regulated, 30 mA max. Protected against accidental overvoltage up to 18 V The pedal is designed for both live and studio use, offering a durable construction and true bypass switching. It can be powered by a DC power adaptor or a 9V battery. The MultiDrive is suitable for enhancing bass sound and is recommended for use in an effects loop for post-filter enhancement.

MetalDrive

The EBS MetalDrive Studio Edition is a high-gain distortion pedal designed for modern metal music and other styles requiring a mean distorted sound. It is suitable for use with both bass and guitar, including drop-tuned guitars, 7-, and 8-string guitars without choking. The pedal features a MOD selector for a variety of distortion sounds and is equipped with true bypass. The technical specifications include: \- Nominal Input Level: -8 dBv \- Input Impedance: 700 kohms \- Dry Bandwidth: +0/-3 dB, 20 - 20k Hz \- Effect Bandwidth: +0/-3 dB, 60 - 7k Hz \- Dist Gain Range: 6 - 70 dB min \- Modes: Standard, Flat, or Tubesim \- Dimensions: Width 70 mm (2.8”), Height 115 mm (4.5”), Depth 35 mm (1.4”) \- Weight: 400g (0.88 lb. ) \- Power Requirements: 9 - 12 V DC Regulated, 25 mA max. Protected against accidental overvoltage up to 18 V The pedal does not come equipped with a tube and weighs 0.40 kg. It also features a special MOD selector for a variety of distortion sounds.

Billy Sheehan Signature Drive

The EBS Billy Sheehan Signature Drive is a bass overdrive pedal with dual loops, offering a range of features and technical specifications: \- Pedal Type: Bass Overdrive with Dual Loops \- Analog/Digital: Analog \- Inputs: 1 x 1/4" (instrument) \- Outputs: 1 x 1/4" \- Other I/O: 1 x 1/4" TRS (clean loop, drive loop) \- Controls: Drive, Tone, Level, Clean \- Compressor Modes: High, Mid, Off \- Clean Loop and Drive Loop for inserting external effects \- Nominal Input Level: -8 dBv \- Input Impedance: 700 kohms \- Gain Range (Drive): 20 - 40 dB \- Tone Filter Range: 175 - 4500 Hz \- Output Impedance (Loops): 2 kohms \- Mix Level (Drive Channel): +3 dB max \- Mix Level (Clean Channel): +6 dB max \- Compressor Ratio: 5:1 (max) \- Threshold: -25 +6 dB \- Attack Time: < 10 ms \- Release Time: 100 ms typ \- Makeup gain: 0, +3, +6 dB \- Output Impedance: < 100 ohms \- Dimensions: 3.5" x 4.5" x 1.4" (90 x 115 x 35 mm) \- Weight: 480g (1.07 lb. ) \- Power Requirements: 9 - 12 V DC Regulated, 15 mA max* Additionally, the pedal features advanced options accessible by removing the bottom plate, allowing fine-tuning trimmers to adjust the threshold level of the compressor and the level of compression when the mode switch is set to MID (COMP). The EBS Billy Sheehan Signature Drive offers bass players the ability to blend a clean signal with distortion, preserve low frequencies, and achieve a balance between distortion and definition.

ValveDrive

The EBS ValveDrive DI is a tube overdrive/preamp for bass, offering classic and traditional warm tube sounds up to hard and pure tube distortion. It features a steel, chrome, and Bakelite design based on a classic concept with an easy dial-in design. The technical specifications include: \- True Bypass: Yes \- Nominal Input Level: - 8 or - 16 dBv (active/passive) \- Input Impedance: 1 Mohms \- Frequency Response: +0 / -3 dB, 35 - 20k Hz \- Gain Range: -oo / +26 dB \- Bass Filter Range: 15 dB < 80 Hz \- Middle Filter Range: 12 dB @ 400 Hz \- Treble Filter Range: 6 dB @ 5 kHz \- Output Impedance: > 500 kohms \- Dimensions: (L x W x H) 6.5” x 5.3” x 3.0” (165 x 135 x 75 mm) \- Weight: 1.0 kg (2.2 lbs. ) \- Power Requirements: 9V, 1000mA (power supply included) The pedal can be used as a preamp to turn a solid-state amp into a warm tube amp or as a distortion/overdrive by adjusting the Gain and character settings. Additionally, it offers new outputs for extended use, including a balanced floating XLR-output and a low-impedance output for standalone preamp use with an external power amp. The ValveDrive DI is powered by a 9V DC power supply and is equipped with a superior quality ECC83 (12AX7) type tube, with the option to switch to a low-gain ECC81 type of tube for less gain.

The Drive

The Drive by EBS is an analog boost/overdrive pedal with controls for Drive, Tone, and Volume. It features a brand new compact housing design with recessed jacks to reduce space on your pedalboard. The pedal runs on 9V DC and is part of the new 'Blue Label' series of EBS effects. The technical specifications include: \- Manufacturer: EBS \- Series: Blue Label \- Made In: China \- FX: Overdrive \- Type: Pedal \- Jacks mounted on: Sides \- Bypass: True Bypass \- Battery: Yes \- Voltage: 9V \- Polarity: Center Negative \- Circuit: Analog \- Weight: 0.30 kg \- Width: 6.1 cm \- Height: 4.5 cm \- Depth: 11 cm The Drive is designed to be a versatile and easy-to-use pedal that can be used with both bass and guitar, providing a range of overdrive and boost options to enhance your tone.

Black Haze

The EBS Black Haze is an analog fuzzy overdrive pedal with dual drive engines and low-range compensation. It features controls for Drive, Tone, and Volume, as well as a switch for Thin, Normal, or Deep character. The pedal is designed with a compact housing and recessed jacks to reduce space on a pedalboard. It operates on 9-12V DC and offers true bypass. The dimensions are 2.4 x 4.33 x 1.77 inches (incl. knobs) or 6.1 x 11 x 4.5 cm, with a weight of 0.68 lbs or 310g. The Black Haze is suitable for both bass and guitar, offering a rich and creamy drive sound with solid bottom-end.

Preamps

Stanley Clarke Signature Preamp

The Stanley Clarke Signature Acoustic Preamp by EBS is a 2-channel preamp designed for professional-grade signal levels, making it suitable for use with any power amp. It features 10 Mohm Impedance inputs for both channels, individual High Pass/Notch Filters for each channel, and an XLR microphone- input with 48V Phantom Power for channel B. The preamp also supports Electret pickups on channel A and allows for blending two different sound input sources. It includes an Effects Loop for additional effects, a Tuner Out, a Balanced XLR-Output, an Aux Input, and a professional-grade Headphones output. The preamp is designed to handle the complex sonic characteristics of an upright bass and can also be used with other acoustic or electric instruments. Key Specifications: \- Input Impedance: 10 Mohms // 22 pF \- Gain Range: -oo/+30 dB \- Frequency Response: +0/-3 dB 20-20,000 Hz \- Bass Filter: Type Shelving, Gain Range +/- 15 dB @ 40 Hz \- Mid Filter: Type Bandpass Filter, Gain Range +/- 13 dB, Frequency Range 70 - 2500 Hz, Q 0.8 \- Treble Filter: Type Shelving, Gain Range +/- 15 dB @ 10 kHz \- HP Filter: Type 12 dB/octave High Pass, Frequency Range 20(off) - 450 Hz \- Notch Filter: Type Bandpass Notch, Frequency Range 70 - 2200 Hz, Q 7, Attenuation 7 dB (typically) \- Effects Loop: Loop Signal Level -10 dBv (nominal), Gain Unity (1:1), Output Impedance 2 kohms, Input Impedance 100 kohms, Modes Serial or Parallel \- Phones Out: Recommended Imp. 32 - 200 ohms \- Auxiliary Info: Power Requirements Idle 500mA @9V, max 800mA @9V (with headphones at max output level) \- Dimensions: 168 x 124 x 53 mm / 6.6" x 4.9" x 2.1" \- Weight: 660 g (1.5 lbs.) The preamp has received positive reviews from professional musicians and is highly recommended for acoustic bass players. It is praised for its versatility, studio-grade signal quality, and essential features for handling acoustic instruments.

Reverb

DynaVerb

The EBS DynaVerb Studio Edition is a stereo reverb pedal with studio-quality sound, suitable for bass, guitar, keyboards, and vocals. It offers eight different true stereo digital reverb effects, including rooms, plates, and halls, all in a compact pedal. The pedal uses 24-bit digital processing circuitry for outstanding and noiseless performance on stage and in the recording studio. It features stereo input and stereo output, and three different modes or types of reverb: Room, Plate, and Hall. The pedal can run in parallel mode if preferred in the studio. The DynaVerb Studio Edition was first introduced in 2002 and has undergone several improvements over the years, including higher headroom, new analog circuitry with higher dynamics and lower noise, and true bypass switching technique. It is recommended to use the pedal with a 9V DC power adaptor, such as the EBS AD-9+, with battery use considered only as a backup solution. The EBS DynaVerb Limited Spring Edition simulates natural reverberation in different acoustical spaces, from big concert halls to smaller rooms, as well as classic reverb effects such as reversed, gated, and spring-type reverb. This stereo reverb pedal is designed for professional use and offers three new reverb effects of Reversed, Gated, and Spring-type, as well as three Hall and three Room reverbs. It is suitable for bass players looking to expand their sound options, and it can enhance any instrument from guitar to keyboard and vocals with its studio-quality sound. The pedal features 24-bit digital processing circuitry, an internal switch for parallel mode, and is recommended to be used with a 9V DC power adaptor, such as the EBS AD-9 Pro, with battery use considered only as a backup solution.

Wah Wah

Stanley Clarke Signature Wah

The EBS Stanley Clarke Signature Wah/Tone Filter offers the following technical specifications and features: \- Nominal Input Level: -8 or -20 dBv (active/passive) \- Input Impedance: 1 Mohms \- Pedal Modes: Wah or Volume \- Frequency Response: +3/-3 dB, 20 – 20,000 Hz \- Filter Center Frequency Range: 50 – 12,500 Hz \- Filter Q: min/max 4.5 / 16 \- Filter Mode: Low, Band, Boosted Band, and High Pass \- Output Impedance: 200 ohms \- True Bypass: Yes \- Weight: 1.8 kg (4 lbs. ) \- Power Requirements: 9V DC Regulated, 25 mA max. The pedal is designed to preserve the low range, suitable for live and studio use, and offers analog signal processing. It features a flexible footswitch for Wah-wah/Bypass or Wah-Wah/Volume control, extended frequency range, and various filter modes. Additionally, it can be used as a Wah effect, Volume pedal, or Tone Filter. The EBS Stanley Clarke Signature Wah/Tone Filter is a versatile pedal that allows users to achieve Stanley Clarke's signature tone and offers a range of wah-wah effects while preserving the bottom of the sound.

BassIQ

The EBS BassIQ 'Blue Label' is an analog envelope filter pedal designed for bass and guitar. It offers enhanced versatility and responsiveness, producing a range of sounds from classic auto-wah effects to spaced-out "Funkadelic" and synth-bass sounds. The pedal features Q, Threshold, and Attack controls to set the sensitivity and create a variety of sounds. It offers Up, Up-R, and Down modes to achieve different effects, along with three types of pass filters: Full Range, Band Pass, and Low Pass. Internal controls allow for fine-tuning, and the pedal also features true bypass. Technical Specifications: \- Nominal Input Level: -10 dBv \- Input Impedance: 1.8 Mohms \- Output Impedance: 100 ohms \- Dry Bandwidth +0/-2 dB: 20 - 20k Hz \- Filter Range: 100 - 2.5k Hz \- Filter Q: 0.7 - 15 \- Threshold: -50 - +6 dBv \- Attack Time (80%): 50 ms - 2 s \- Dimensions: 2.6” x 4.5” x 1.9” (67 x 115 x 48 mm) \- Weight: 315g (0.7 lb. ) \- Type: Analog Effect, Relay type Switching \- Power Requirements: 9, 12, or 18 V DC, 55 mA max. Pedal shuts off below 6.0 V