Guitar Pedals from Univox

Welcome to your ultimate guide to Univox's guitar pedals. This catalog serves as your starting point to explore and compare all pedals crafted by Univox. Designed for easy navigation, we hope you can quickly find detailed information on each pedal, including specifications, user reviews, and demo videos. Whether you're searching for the latest releases, seeking to expand your pedal collection, or exploring options for a specific sound, hopefully Stompbx can assist you in finding exactly what you need.



Micro Fazer


The Super-Fuzz SF300 by Behringer is a 3-mode fuzz distortion effects pedal designed for electric guitars, recreating famous fuzz tones of the ‘60s and ‘70s. It offers three effect modes: FUZZ 1 for basic fuzz sound with emphasis on the midrange, FUZZ 2 for full-bodied fuzz sound with scooped mids and sharp harmonics, and BOOST mode where the Level control is inactive and the Gain control adjusts the boost. The pedal features controls for LEVEL, TREBLE, BASS, GAIN, and a MODE switch for selecting the effect mode. The pedal also includes an ON/BATT LED that serves as a battery level indicator and illuminates when the effect is activated. The Super-Fuzz SF300 is powered by a 9V power supply or a 9V battery. Technical Specifications: \- In Connector: 1/4" TS \- Impedance: 500 kΩ \- Out Connector: 1/4" TS \- Impedance: 1 kΩ \- Power Supply: 9V, 100 mA regulated \- Power Consumption: 30 mA \- Dimensions: Approximately 2 1/8 x 2 3/4 x 4 4/5" (H x W x D) \- Weight: Approximately 0.73 lbs / 0.33 kg The Super-Fuzz SF300 is designed to provide a wide range of fuzz tones and is suitable for various musical styles, from classic fuzz to grunge and gain boost. It offers a compact and durable design, making it suitable for both studio and live performance use.

U-1095 Super-Fuzz

The Univox U-1095 Super-Fuzz is a legendary fuzzbox that has been utilized by countless influential bands throughout the years. It was produced by the Univox company, primarily for use with electric guitar or bass. The circuit was designed in the late 1960s by the Japanese company Honey, in the form of a multi-effect called the Honey Psychedelic Machine. Later on, Honey was taken on by Shin-ei, who produced the effect separately and imported it to the USA by Unicord. Design: \- The first units were made in a simple stamped sheet metal box, painted grey, with a blue metal Univox sticker on the top. Around 1970, production was changed to a die-cast metal box, with a large pedal featuring a rubber cover that had the words "Super-Fuzz" embossed on it. \- The later models featured an internal trim pot for controlling the octave balance. \- The controls include 'Balance' (volume), 'Expander' (fuzz amount), a two- position 'tone' switch, and an on/off footswitch on top. Sound: \- This fuzz is an octave fuzz using two germanium diodes to produce square wave clipping. \- The full-wave rectification of the circuit produces an upper octave as well as a slight lower octave, giving the sound a lot of compression and a mild ring modulator effect. \- It features a tone switch that engages a 1kHz filter that "scoops" the mids, giving a very fat, almost bassy tone unique to this circuit. Notable musicians who have used the Super-Fuzz include Paul McCartney, Adam Yauch of Beastie Boys, Billy Corgan of Smashing Pumpkins, Kurt Cobain of Nirvana, and Pete Townshend of The Who. For these details, it is recommended to consult official Univox resources or contact authorized dealers.


The Univox Uni-Fuzz is a unique and innovative fuzz pedal with a rich history and distinctive features. The pedal was designed by engineer Fumio Mieda and contains 53 parts, making it one of the most heavily engineered examples of the craft. It offers a built-in 1KHz mid cut, with notes of octave-up and ring modulator at certain settings and picking strengths. The pedal's circuitry utilizes two germanium diodes to square-clip the signal's sound wave, followed by full-wave rectification to create upper and lower octaves while compressing the signal. The Uni-Fuzz is housed in a distinctive enclosure and is the first AC-powered fuzz pedal, eliminating fading problems usually attributed to battery-operated units. It features two control knobs - Balance (volume) and Expander (fuzz) - and a two-way Tone slide switch, which engages a controlling filter to scoop mids, creating a full-fat fuzz. The pedal does not have its own footswitch, functioning similarly to the Uni-Vibe, offering remote access with a small, doorstop-like footswitch. The sound of the Uni-Fuzz is almost completely unique in the fuzz pantheon, with eccentric quirks built in, forcing players to write riffs that would sound uncouth with any other circuit. The pedal's design incorporates a differential pair of transistors to generate flavors without changing the feel of the device. The Uni-Fuzz is known for its spongy and unique tone, making it a positively unique and killer take on the favorite effect type of all time.